Shakespeare further makes fun of romantic love by showing how the devotion that connects siblings (Viola and Sebastian) and servants to masters ( Antonio to Sebastian and Maria to Olivia) actually prove more constant than any of the romantic bonds in the play. Meanwhile, Sir Andrew Aguecheek, Sir Toby Belch, and Maria, are always cracking crass double entendres that make it clear that while the nobles may spout flowery poetry about romantic love, that love is at least partly motivated by desire and sex. Malvolio's idiotic behavior, which he believes will win Olivia's heart, serves to underline Orsino's own only-slightly-less silly romantic ideas. Also Shakespeare also shows how people are apt to ignore the evidence that disproves the disguise they have fallen in. Twelfth Night further mocks the main characters' romantic ideas about love through the escapades of the servants. In the play 'Twelfth Night' Shakespeare shows how anyone can be blinded by love and act so impulsively to satisfy their appetite for love, that often they fall in love with a façade rather then the person behind the disguise. At the same time, by showing the details of the intricate rules that govern how nobles engage in courtship, Shakespeare examines how characters play the "game" of love. For instance, Shakespeare pokes fun at Orsino's flowery love poetry, making it clear that Orsino is more in love with being in love than with his supposed beloveds. Twelfth Night derives much of its comic force by satirizing these lovers. This love triangle is only resolved when Olivia falls in love with Viola's twin brother, Sebastian, and, at the last minute, Orsino decides that he actually loves Viola. You will be assigned a scene and investigate the type of love and its. ![]() Viola falls in love with Orsino, while disguised as his pageboy, Cesario. Each pair will prepare a presentation about Shakespeares treatment of love in the play. ![]() ![]() Every major character in Twelfth Night experiences some form of desire or love.
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